In Paris, the twelve years old girl Alice arrives to the police station, and asks to meet detective Anita. In her office, Alice tells that her mother Eva is a sadistic killer and delivers a video showing Eva torturing and killing their maid Sunya. The chief of police does not believe in Alice, but Anita decides to investigate by her own and finds that Eva is a powerful and wealthy leader of an international criminal organization. When Alice escapes from the guard of the detective in charge of her security, she decides to travel to Portugal to meet her father, who is supposedly dead, and is chased by two gangster of Eva's organization. Alice meets the traumatized mercenary Hugo, who protects and travels with her to Portugal, trying to find her father, while Eva and Anita also travels to that country. A 12 y.o. girl reports her powerful mom to the police for having killed the nanny. She runs away and is helped by an ex-soldier/assassin to find her dad in Portugal while the mom has her people try prevent this. Shooting follows. This could have been a far better film than it was. It had a number of strengths: good script, excellent directing, good score and sound editing, good character development, etc. <br/><br/>However, it had one glaring fault that kept it from reaching its potential: the two leads couldn't act. If an actor's emotional range is say an octave, these two could only sing two notes. The supporting actress (detective) had about three. Together they had the dynamism of drying paint.<br/><br/>Despite this failure in casting this is still a good movie worth watching. It just could've been better. Its other strengths both redeem and save it. Even the Oedipal moment that was obviously coming, and one secretly cringed at its coming, when it finally came seemed a natural and just denouement.<br/><br/>One last observation: some may criticize the military tactics, i.e. speed of the attack; remember, this is make believe, not a training film. One might as well criticize the magic Hollywood guns that have far more bullets than any single clip will ever hold. In Paris, the twelve years old girl Alice (Alexandra Negrão) arrives to the police station, and asks to meet detective Anita (Asia Argento). In her office, Alice tells that her mother Eva (Frances Barber) is a sadistic killer and delivers a video showing Eva torturing and killing their maid Sunya. The chief of police does not believe in Alice, but Anita decides to investigate by her own and finds that Eva is a powerful and wealthy leader of an international criminal organization. When Alice escapes from the guard of the detective in charge of her security, she decides to travel to Portugal to meet her father, who is supposedly dead, and is chased by two gangster of Eva's organization. Alice meets the traumatized mercenary Hugo (Jean-Marc Barr), who protects and travels with her to Portugal, trying to find her father, while Eva and Anita also travels to that country.<br/><br/>"La Sirène Rouge" is one of the most unbelievable and flawed screenplay I have ever seen. The storyline is actually a great absurd since the very first beginning until the last scene. Nevertheless, there are many action scenes and shooting and this movie entertains. I personally am a fan of Asia Argento, and her name in the credits was the great attraction for me to see this movie. In the hotel, in the check-in of Hugo and Alice, the soccer game is between Flamengo and another Brazilian team. Later, we can hear the speaker narrating another soccer game in Brazil. Therefore, the language is Portuguese, but the teams and the accent are not from Portugal. I found this sequence ridiculously hilarious. My vote is six.<br/><br/>Title (Brazil): "O Alerta Vermelho" ("The Red Alert")
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